Daredevil: a redemption story

At the risk of losing all of my fangirl street cred, I have to make an important confession: I did not hate the 2003 Daredevil movie.  DD 2003The script was weak, granted, and it struggled with tone and motivation (Am I an action movie?  A thriller?  A romance?  Which one will make the most money?).  But the cast was – brace yourself – quite good considering what they had to work with.  Ben Affleck was not the ideal choice, but he was more a victim of  trend than anything (this was, after all, the season of Bennifer – yuck).  Jon Favreau made an excellent Foggy Nelson, and Colin Farrell gave me nightmares as Bullseye. Most of all, this incarnation gave us the gift of Michael Clarke Duncan as Kingpin in a brilliant turn of blind casting (get it?).  I’m not saying Samuel L. Jackson owes Nick Fury to him exactly, but MCD definitely opened the door. The new series, which debuted on April 10th and is available for binge-watching life-consumption responsible streaming now, is an excellent step in a new direction and it honors the tone of the print character perfectly.  In a risky move, the show marks a departure from Marvel’s formula here by incorporating few to zero special effects; the action is all hand-to-hand, brutally visceral, and difficult to watch yet impossible to turn away from. I love it. There are only two evident weaknesses in Marvel’s armor, and Daredevil brings both of them to light: 1.  S-T-R-E-T-C-H-I-N-G The first four or five episodes of season one are amazing, with a few scenes and turns that are already becoming icons in the entertainment industry.  Episodes twelve and thirteen are suitably epic, neatly capping the series and setting the stage for many misadventures to come. In the middle, though…meh.  Part of it may be due to the nature of binge-watching itself; anyone who has devoted a weekend (or even more intensely, a mere day) to the consumption of a series knows, we get a little sluggish in the middle.  We get snacky or have to go to the bathroom, and sometimes maybe we don’t go to the trouble of pausing the show; we just turn it up a little as we go.  Maybe we nod off and miss a few lines, and it doesn’t feel worth backtracking to catch up.  In any case, thirteen hours of solid viewing takes a lot of commitment, and maybe we are missing some key elements of the production in the process. bingewatch It is also likely, however, that the traditional thirteen-episode season structure has become too constricting.  If show runners are required to fill thirteen hours with a story that could be told in ten, the inevitable result is redundant conversations, recycled fight scenes, and repetitive or thinly layered flashbacks (remember season three of Lost?  No one wants that.) Marvel is the pioneer of the universe-launching tent pole project.  Maybe now they can pioneer the however-many-episodes-it-takes-to-tell-the-story-and-no-more-no-less TV season? 2.  Girl Trouble Let’s have a look at the Daredevil character posters, shall we? DD 2015 Do you see the pattern?  Why is it (and I am genuinely asking here) that each of the male characters is facing me directly with grim determination, while the women are looking away?  Okay, so Claire Temple (played with refreshing badassery by Rosario Dawson) has a story line entirely linked to Matt’s so far, but she exhibits a good amount of internal conflict that could easily have made a compelling face-forward poster.  Plus, if she is who we think she is, her significance will only grow; why not let her demonstrate the same ferocity as the boys? Karen Page (Deborah Ann Woll) is a bit more problematic.  In fact, her ambiguous gaze in an unspecified direction is pretty well appropriate for how her character plays out on the show.  It feels as though the writers wanted her to be an atypical strong female character so badly that they gave her too many story lines (all completely and inconsistently hanging on every male character in the show), thereby inadvertently creating a typical, mostly weak female character.   If hers were the only poster  looking away from the audience, it would have been fitting. (Side rant: Marvel has done an uneven job of representing women so far in the cinematic universe. Black Widow’s portrayal has varied wildly in the movies, depending on the director in charge of her. Gamora began Guardians of the Galaxy as a strong figure and the best fighter of them all, but by the end she was reduced to butt shots and squirming helplessly on the sidelines while the boys did all the important work.  And don’t even get me started on Lady Sif, Thor’s formidable fighting companion who was inexplicably and unforgivably reduced in The Dark World to gazing longingly Thor’s way as he pined for the milquetoast at best Jane Foster.  Ugh.) Despite its weaknesses, Daredevil the series has officially successfully redeemed the character known as The Man Without Fear for the conceivable future.  Here’s hoping we can forgive the mistakes of the past, and let Ben off the hook for Batman vs. Superman (because if DC can’t make that story awesome, it will not be his fault).

dd batman

The Book says Wherein Thou judgest another, Thou condemnest Thyself. -Matt Murdoch